At the authors panel I attended earlier this month, we were asked why we had chosen to write mysteries in a specific era.
There are several reasons why I chose the 1950s, not all of them very interesting. But in short, it’s an era that had more colorful charm than grizzly forensics. Since I’m all about the puzzle of a good mystery, that works well for me. The 1950s had great fashion, textures, music, and it was a complicated time socially as everyone tried to create a normal — better — life after the war. Basically, there’s a lot for me to work with.
The challenge is the era’s rampant sexism and racism. Not a good thing. And while I’m not a huge history buff, I can’t simply gloss over the pieces I don’t like. Of course, I’m writing murder mysteries not social historical commentary, but I really do try to use social accuracy to enhance the story and the mystery part of the adventure, without making it so central as to distract the audience. (And I sincerely hope I’m doing a good job.)
After all, we’re reading mysteries to enjoy ourselves.